Following his electrifying performance at the Texas State Fair, I had the pleasure of speaking with Paul Wall, a quintessential figure in hip-hop who proudly hails from Houston, Texas, affectionately known as H-Town. As he celebrated the 20th anniversary of his debut album, The People’s Champ, Wall not only captivated the crowd with his distinctive voice and engaging stage presence but also showcased the deep connection he has with his Texas roots. A man of faith and a devoted family man, he frequently emphasizes the importance of those close to him. During our conversation, Paul opened up about his journey in the music industry, valuing his independence as an artist, and the profound impact of music in fostering community. Our discussion illuminated not only his remarkable career accomplishments but also the values that define him both personally and professionally.
You just performed at the State Fair of Texas, and it’s the 20th anniversary of The People’s Champ. How did it feel to hit that stage at such a milestone moment?
It felt amazing. The atmosphere was welcoming — all walks of life were there. Growing up in Texas, performing at the State Fair wasn’t something I ever thought I’d get to do, so it meant a lot. It came right after the Texas–Oklahoma game, so the crowd was packed. We stepped it up for that show — brought out the band, added new visuals and stage design. It lets us perform on another level.
Two decades in hip-hop is rare. What do you think has helped you stay consistent all these years?
First and foremost, the fans. Without them, none of this is possible. I prayed for this when I was a kid, and I still pray for strength to give my best every day. Texas also plays a big role. We have a support system here that not every region has. And I’ve always kept my goals the same — be consistent with the kind of music I make. Album sales don’t drive me; the people do. If they’re still jamming my music, that’s what matters. Hip-hop generations turn over every four or five years, so to last this long is a blessing. I don’t take that lightly.
You’ve always had an independent spirit. How has that shaped your career?
Being independent taught me how the game works. When you’re independent, you own a bigger piece of the pie, and you learn the business. A lot of artists can’t go back after going major. But for us — me, Slim Thug, Chamillionaire — we always had the goal to go major, then come back to independence. That’s what J Prince and Rap-A-Lot taught us: own your masters, make the music you want, and serve your fan base.
I notice you always say “we” instead of “I.” How important has teamwork been for you?
There’s no way I could do this alone. I might be the face, but it takes a team. I like to have people around me who share the same goals and values — not just professionally, but personally. Everyone’s got to be willing to pitch in, even if it’s not their main job. That’s how we move.
What about collaborations? How do you choose who to work with — both in music and on your team?
A lot of collabs happen naturally. It’s usually whoever’s in the studio when the song comes together. Sometimes, though, it takes time. Like “Johnny Dang” — they made that song a year or two before I even did my verse. Somebody kept pushing for me to jump on it, and I wasn’t in a rush. Now it’s double platinum. That’s a lesson — don’t stand in your own way. Having people around who can guide you or see things differently is important. That’s a big reason I’ve been able to keep going.
Looking back, which collaborations have been most pivotal for your career?
Definitely Drive Slow with Kanye West — that put me on the radar for a lot of people. Grillz with Nelly was another one. That record was like a billboard for our grill business. And then there’s So Gone (What My Mind Says) with Jill Scott. That one was a dream. My mom and aunties are huge fans — we always had Jill Scott albums in the house. To be part of her world and to call her a friend, that was special.
Your State Fair show had such a diverse crowd. In a time when the country feels divided, how does it feel to bring so many different people together?
That’s what Texas is to me. Growing up here, I was taught to look out for my brother and take care of my neighbor, no matter what they believe. My grandfather taught me that. He had friends of every background and always said to judge people by who they are, not their skin color. That stuck with me. Being Texan means respecting differences. We don’t all have to agree. It’s about community and understanding — that’s what I try to bring into my music and my life.
Speaking of Texas, who are some of the newer Texas artists you’re listening to right now?
Mexican OT, for sure. He’s a vet now, but I love what he’s doing. Fastlane, Sauce Walka — he’s always bringing something new and representing Houston strong. I’m also listening to Quiet Money Dot and Big Tony. They’ve got that old-school H-Town feel. And Monaleo — she’s been grinding, and her quality’s top tier. Every time she drops, it’s next level.
You mentioned new music earlier. What can fans expect next?
I’ve got a new album coming early next year called Fortune and Glory. I stay in the studio during the week, then hit the road on weekends. My mom and mother-in-law just moved in, so that’s been taking some time, but I’m ahead of schedule. The album’s done and ready to go.
You’re also celebrating 20 years of marriage. You’ve always spoken highly of your wife. What’s the secret to that longevity?
We love each other, and we’re best friends. God is a big part of our relationship. We got together at the right time in our lives and grew together. What works for us might not work for everyone, but for me, learning when to be right — that’s part of it.
Words by Valese Jones | Photo Credit: Zack Turner
