Scooter P Entertainment Announces Partnership With VYRE Network

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Scooter P Entertainment has entered into a production and distribution deal with VYRE Network.

VYRE’s forward thinking is demonstrated through its focus on visually driven content that includes Millennials, Generation X, Y, and Z and a BIPOC focused body of work.

The partnership with Scooter P Entertainment will provide a voice to content creators of all backgrounds.

“We are very excited for this partnership and to see what we can put together. It is a goal of our company to provide movie distribution for all different backgrounds.” Angie Ramos – VP of Programming

Scooter P Entertainment will lend a voice to content creators of Latin’ and African descent. Other cultures will be represented through tv and film projects as well. Highlighting a human experience in America and internationally will drive streaming content through this collaboration.

Scooter P Entertainment led by founder, Francis Perdue has a combined experience of over thirteen years in entertainment, public relations, and philanthropy. Ms. Perdue recently launched two pipeline programs for The Latino Filmmakers Network (https://latinofilmmaker.org) founded by Maylen Calienes, and Black Film Space of NYC (https://blackfilmspace.com) co-founded by Lande Yoosef and Reggie Williams.

Both organizations are the first to receive a program retrofitted to give back to the community at large through Scooter P Entertainment and empowering content creators of color to receive a fair shot at distribution and production for their projects.

With production experience, product placement and pitching of TV series and projects for clients since 2009, Ms. Perdue has created a network of connections and a recent body of work that includes, Changes written by Francis’ long-time management client, Charnele Brown and directed by Andre Pitre, Ayanna Shon’s Christmas Hypnosis, Bordersville created by Keyatta Crews, Hollywood Houseboys created by and produced by Ryan Hope and South The Border created by Terry Haynes and Julian D. Jackson.


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